With smoking skull in hand and tongues wagging their serpent speech aloud Richmond, Virginia-based thrash metal quintet VIGIL dictate sacrifice and abominant summon on this venom spitting debut full-length album. Given notable characterization through vocal gnash and resolute in their focus on the riff the band make a solid case for their craft on ‘Primordial Rites‘, a straightforward late 80’s styled approach to thrash metal rhythms draped in a layer of sinister sneer. Though their songcraft doesn’t deliver mind-worming hooks in any sense the aggressive action of the band’s tunnel through upholds an appreciably high standard for attack throughout.
Back in 2023 Vigil played their first gig and released their first demo (‘Demo ’23‘, 2023), having formed at some point prior between folks who’d cut their teeth in crossover/thrash band 3:33 and brutal death crew Restrictor Plate. The style of that first tape appeared to be geared toward the black/thrash inspired pate but featured the same blunt, fairly traditional approach to riffcraft they sport today: Classic thrash inspired sounds not so distant from something like pre-1990 era Holy Moses but in a neothrash/Bay Area context a la certain Wraith (Indiana) records or nearby. With regard for the band’s most obvious point of distinction vocalist J.T.‘s cacophonic snarl was the big draw on first impression their work provides no less sinister command on ‘Primordial Rites‘.
Hissed down a senses-riling corridor of reverb and backed by the muscular downstroke of late 80’s thrash bombast Vigil make a skull fracturing first impression kicking off ‘Primordial Rites‘ with a stomp ready, riff-driven push out the gates. Opener “Nocturnal Hunger” sets a decent bar in terms of riff count but the band’s collective shove into view comes via the assistance of voluminous sound design, a level of noise fans of labelmates Void should appreciate for the echoic space filled. What they fill said space with amounts to a darker toned, occasionally moshable rhythms informed by crossover bone structure b/w bursts of extremity providing some coloration (see: blasts around ~2:07 minute mark) alongside sharp lead guitar playing which peppers most pieces. From that first song you’ll have a crystal clear idea of what these folks are all about as they go on to run variations within all nine pieces.
‘Primordial Rites‘ is always on the lunge, pouncing on each song without any particularly dramatic flair or motion in hand to start, so, by the time I’d hit the first song pulled from Vigil‘s demo, “Tortured For Christ”, it was all kinda blurring together. The passage between that song and the whammy swinging “At The Stake” afterwards revived interest, slightly more showmanship and also the point where their rooting in the Power Trip school of bounce is loudest, dousing any sense of black/thrash tendency or nearby; Getting caught up in the sheer whirlwind of snarl n’ stamp thrash here was an easy ask on my part but the riffs themselves lean on tradition heavy enough that they offer little direct distinction. A few of the later-on pieces on Side B (standout “Blood Dust” esp.) veer into death/thrashing jog, shredding leads or heavy metal militarism to uphold their action but I don’t know that most folks would walk away from this album with any given riff or thread spinning in their mind palace.
At the full depth of ‘Primordial Rites‘ its title track (“Primordial Rites”) reinforces the all-muscle, kinda moshable metalpunk-edged tendency of the band’s riffcraft, the most breakneck song on the record and a serious push beyond the lull created by instrumental “Sanctum”. This final ~third of the album offers a couple key hits of variety on an album which throws zero curveballs at the greater thrash metal vernacular old and new; I don’t know if I walked away from Vigil‘s debut album blown away by their creative hand so much as I’d appreciated the instant appeal of their aggressive sound, a great balance of energetic attack and unique vocals to suit. For a debut full-length album their efforts are straightforward but substantive enough, showcasing a pretty seamless grasp of their sub-genre while making a worthy modern thrash record from it. A moderately high recommendation.


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