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grave pleasures

HEXVESSEL – Nocturne (2025) | REVIEW

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Intended as a transcendental ritual of the night, a descent into the dusk commissioned for a prominent festival […]

June 6, 2025 Heavy Metal, Reviews

ORANSSI PAZUZU – Muuntautuja (2024) | REVIEW

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Sculpted from oozing wires and engineered flesh, slicked with black oil and anointed with lysergic diabolism these seven […]

October 3, 2024 Heavy Metal, Reviews

HEXVESSEL – Polar Veil (2023) | REVIEW

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Every branch that strikes the chest of our protagonist as he advances through the wind-gnarled pines reinforces their […]

September 18, 2023 Heavy Metal, Reviews

DØDHEIMSGARD – Black Medium Current (2023) | REVIEW

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Ulterior second wave vibrancy, an industrial metal detonation and today’s avant-garde shamanic delve all manifest as the same […]

April 13, 2023 Heavy Metal, Reviews

HØSTSOL – Länge Leve Döden (2023) | REVIEW

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Though Høstsol formed during cursed plague year zero there is little indication that their work has been an […]

January 9, 2023 Heavy Metal, Reviews

SHADOWS – Shadows (2021) | REVIEW

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“Man is the creature who cannot escape from himself, who knows other people only in himself, and when […]

February 25, 2021 Heavy Metal, Reviews

ROPE SECT – The Great Flood (2020) | REVIEW

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Ailing under the bind of the endless stage of Grihastha, yearning for the freedom of Vanaprastha, the restless […]

August 10, 2020 Reviews

Hexvessel – Kindred (2020) | REVIEW

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A six-gated mandala drawn to sate an eclectic yet deeply sentimental mind, curious of the oaken past yet […]

April 24, 2020 Reviews

Waste of Space Orchestra – Syntheosis (2019) REVIEW

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As the first gravitational singularity commissioned by the ever-expanding Roadburn Festival universe for a unique live performance six […]

March 28, 2019 Heavy Metal, Reviews

Hexvessel – All Tree (2019) REVIEW

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The sacred groves of ancient pagan folk served as axis mundi, a heart-like point of connection between Earth […]

March 6, 2019 Reviews
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