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Author: terraasymmetry

BHLEG – Fäghring (2022) | REVIEW

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Set within four elementally fixated climes the grand conclusion of south-western Swedish atmospheric black/folk metal duo Bhleg‘s tetralogy […]

April 1, 2022 Heavy Metal, Reviews

LIFVSLEDA – Sepulkral Dedikation (2022) | REVIEW

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Chirurgia ad praeterita — Heating phobic humours, boiling away the living essence of various dysthymic personified bile ’til […]

April 1, 2022 Heavy Metal, Reviews

BLACK DEATH CULT – Diaspora (2022) | REVIEW

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No longer allowing themselves to bleed profusely of their most potent ideas in a thousand fleeting layers, the […]

March 30, 2022 Heavy Metal, Reviews

GOLGOTHAN REMAINS – Adorned in Ruin (2022) | REVIEW

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A new tail and a freshly grafted head grace the natural growth of the predatorial body — With […]

March 29, 2022 Heavy Metal, Reviews

CENTINEX – The Pestilence (2022) | REVIEW

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A general biography of a band like Centinex, a breed which are many extant but few worthwhile, will […]

March 29, 2022 Heavy Metal, Reviews

The Top 20 Albums of March | 2022

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THE TOP 20 ALBUMS OF THE MONTH is just that, a grip of twenty albums that’d resonated most […]

March 28, 2022 Features

DEATHSPELL OMEGA – The Long Defeat (2022) | REVIEW

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Überlegungen zum untergang — A “third era” commencement speech by those disinheriting the ruins of that which was […]

March 27, 2022 Heavy Metal, Reviews

AETHYRICK – Pilgrimage (2022) | REVIEW

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“The phantoms take more definite shape, now that he sleeps. The lubric enlacements of the branches, dilated crevices […]

March 25, 2022 Heavy Metal, Reviews

THIRD NAIL – Theos-Haimaton (2022) | REVIEW

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Though he wounds, he also binds with salve in a sadistic loop of cyclic ferality as the wretched […]

March 25, 2022 Heavy Metal, Reviews

INFESTED ANGEL – Submit to Death (2022) | REVIEW

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Aiming for a ‘wall of sound’ brutality to start and likely talked off that ledge since Birmingham, England-based […]

March 24, 2022 Heavy Metal, Reviews

Short Reviews | March 23rd, 2022

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SHORT REVIEWS Our third and final chunk of March 2022 releases finds us with at least a bit […]

March 23, 2022 Features, Reviews

ASTRAL TOMB – Soulgazer (2022) | REVIEW

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With a bit of research and triangulation between their various impressions upon the Denver, Colorado underground it’d seem […]

March 22, 2022 Heavy Metal, Reviews

BÂ’A – Egrégore (2022) | REVIEW

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“Sleep, sleep, ye indolent mortals; rest, and still rest on your soft couches; smile at your dreams of […]

March 22, 2022 Heavy Metal, Reviews

FATHER BEFOULED – Crowned in Veneficum (2022) | REVIEW

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Wriggling their lethal flagellates in sponge and siphon of the sputum-mushed eyes of Christ since 2006, Father Befouled […]

March 21, 2022 Heavy Metal, Reviews

CIRKELN – A Song to Sorrow (2022) | REVIEW

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An exploration of heroic Scandinavian atmospheric black and folk metal tropes that has ultimately cut towards epic heavy […]

March 20, 2022 Heavy Metal, Reviews

MYSTIFIER / LUCIFER’S CHILD – Under Satan’s Wrath (2022) | REVIEW

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An important ‘cult’ (or more fittingly, occult) underground black metal fixture and an far north-eastern oddity way up […]

March 20, 2022 Heavy Metal, Reviews

ELDEN RING (2022) | REVIEW

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The lingering feeling that “this is Dark Souls IV” stuck with me throughout the ~150 hours I’d spent […]

March 19, 2022 Reviews, Video Games

EUCHARIST – I Am The Void (2022) | REVIEW

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No realistically quantified measure of transference known to scientific methodology can predict the success rate of a notable […]

March 18, 2022 Heavy Metal, Reviews

MORTIFY – Fragments at the Edge of Sorrow (2022) | REVIEW

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Warned repeatedly of glaring red-eyed horrors arisen from clay and the outré-mental outbreaks of anyone caught wandering beyond […]

March 18, 2022 Heavy Metal, Reviews

NECROMANTE – XI (2022) | REVIEW

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Luciferian incantations echo through our scum-incensed crypt, an inverted skull delivered fire by a spittle-flecking naming and channeled […]

March 16, 2022 Heavy Metal, Reviews

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