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Author: terraasymmetry

EXCURSE – Sitra Ahra (2022) | REVIEW

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Excurse is an A Coruña, Galicia-based (northwest Spain) solo project from M.S., a musician active in various projects […]

August 21, 2022 Heavy Metal, Reviews

ENDTYMER | August 19th, 2022

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ENDTYMER is the inevitable weekly “music blog” series I’ve been working to avoid for some time. It hits […]

August 19, 2022 Features

Short Reviews | August 18th, 2022

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SHORT REVIEWS Our final set of August 2022 releases finds us ahead of ourselves, largely spanning the final […]

August 18, 2022 Features, Reviews

CATHARTIC – Through the Abysmal Gates of Subconscious (2022) | REVIEW

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“When I see the blindness and the misery of man, when I regard the whole silent universe and […]

August 17, 2022 Heavy Metal, Reviews

FERUM – Asunder / Erode (2022) | REVIEW

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To cleave apart, to degrade, to cleave apart and degrade, to cleave apart and then degrade, to degrade […]

August 16, 2022 Heavy Metal, Reviews

SIGH – Shiki (2022) | REVIEW

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Inspired by the wilt of traditional autumnal poetry and its natural applications to one’s aging into the perceived […]

August 15, 2022 Heavy Metal, Reviews

SPECIES – To Find Deliverance (2022) | REVIEW

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To enter a pact of unhindered creative development and emerge on the far side together as an compelling, […]

August 14, 2022 Heavy Metal, Reviews

MIMORIUM – The Route of Haeresis (2022) | REVIEW

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Steeped in the oily morass purported by an ancient school of instinctive, chaotic heretical thought the melodic black […]

August 14, 2022 Heavy Metal, Reviews

ENDTYMER | August 11th, 2022

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ENDTYMER is the inevitable weekly “music blog” series I’ve been working to avoid for some time. It hits […]

August 11, 2022 Features

HIVE – Spiritual Poverty (2022) | REVIEW

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Ten percent of the United States population have accrued seventy percent of its total wealth, the folks who […]

August 10, 2022 Reviews

DOLDREY – Celestial Deconstruction (2022) | REVIEW

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Named for the enormous, imposing fortress that’d serve as the backdrop for the end of a century long […]

August 10, 2022 Heavy Metal, Reviews

BARBARIAN – Viperface (2022) | REVIEW

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Back to the dirt with ’em, a great stinking cemeterial heap in mind. — The times they are […]

August 9, 2022 Heavy Metal, Reviews

PSYCROPTIC – Divine Council (2022) | REVIEW

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The lamentations of the unwilling non-participant godhead, the suicidal immortal unfalteringly persists in mythos and religious fictions alike […]

August 8, 2022 Heavy Metal, Reviews

SAVAGE MASTER – Those Who Hunt at Night (2022) | REVIEW

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Larger than life, but no bigger than the people. — Being considered a “professional amateur” heavy metal band […]

August 7, 2022 Heavy Metal, Reviews

TOUGHNESS – The Prophetic Dawn (2022) | REVIEW

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Apocalyptic conscription brought us these killers of mankind, their resting rites preemptively read with the stink of dread-worn […]

August 6, 2022 Heavy Metal, Reviews

ENDTYMER | August 5th, 2022

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ENDTYMER is the inevitable weekly “music blog” series I’ve been working to avoid for some time. It hits […]

August 5, 2022 Features

COSCRADH – Nahanagan Stadial (2022) | REVIEW

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[…] Lough Nahanagan, a corrupt form of the old name Loch na n-Onchon, the lake of the otters. […]

August 3, 2022 Heavy Metal, Reviews

GROTESQUERIES – Haunted Mausoleum (2022) | REVIEW

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Chopped in half, tossed into a dumpster… without a lid. — With the torso left intact this half […]

August 2, 2022 Heavy Metal, Reviews

LIMINAL SHROUD – All Virtues Ablaze (2022) | REVIEW

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Postnaturalism ex utero. — Using the nearby scenic stretches of Vancouver Island’s Pacific coastline as their muse in […]

August 1, 2022 Heavy Metal, Reviews

EARLY MOODS – Early Moods (2022) | REVIEW

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Entäußerung as tradition. — We can consider the first major output from Los Angeles, California-based quartet Early Moods […]

July 31, 2022 Heavy Metal, Reviews

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